Tuesday, April 30, 2013

Nice Light, Sweet Aerials!




Hope you enjoy watching this as much as I did filming it.  Was a great trip, and I only got to capture a fraction of the things I wanted - but got fantastic footage regardless.

I shot the aerials with the DJI Phantom - it's an R/C helicopter that can carry the payload of a small camera.  Flying has proven to be challenging but rewarding.  I spent 5 months flying (read: crashing) a pocket-sized quad before making the jump to a real machine.  The months of practice paid off - and I'm glad I didn't spend all that time wrecking more expensive equipment.

It's been a fun addition to my kit, but it comes with some responsibility.  The word "drone" is a pretty heavy buzzword these days, and all it takes are a few careless mistakes by pilots before lawmakers drop the hammer on unmanned aerial vehicles.  It's important to never fly near airports or flightpaths of airplanes.  I wouldn't fly over crowds, and certainly not over busy streets or freeways.  If something goes wrong, it can go wrong in a hurry.  The shots you see above were fun to get with the quad because I was flying in open spaces with plenty of room for error.  The biggest danger was crashing into the ocean, which effects only me (and my wallet).

Thanks for reading, aloha!

Saturday, March 23, 2013

March Madness Spot for Nike

Spot I directed for Nike via Conscious Minds.  Fast turnaround on this one, but loads of fun working with a great crew of friends.  Go Ducks!

Friday, March 22, 2013

Post Land

Hello from the land of post-production!  Lots of animation and motion graphics this month.  It's not the most exciting part of filmmaking but it's where most of the magic happens.  Unless the person reading this is a producer - in which case: There's no magic here. Please don't make me fix it in post.


The place where I fight my battles.

Wednesday, December 5, 2012

Selects Reel from Hawaii

Some clips thrown together, most of this was shot on the Sony FS700.  My first impressions of this camera are pretty positive.  After so much shooting on DSLR, it's always refreshing to have a real video camera in my hands.  Focus peaking, zebras, real audio input - things I forgot I missed.

Oh yeah, the slow motion is superb too - at 240fps, and 480fps it captures a lot of detail.  The one danger with this camera is the overuse of slow-mo.


Wednesday, July 18, 2012

London

London.  Nike.  The Olympics.  The following clip will explain nothing: